Tuesday, December 4, 2007

Contemporary Thoughts on Gospel Music Harmony and Counterpoint

I have been trying to develop my playing concept a lot since I have had time to study and practice more. I have new thoughts on accompaniment procedures. I am beginning to approach this kind of music more from a counterpoint perspective than a harmony perspective. My playing has certainly gotten much better. I hope that my ear has gotten better as well. I still don't have absolute pitch, but my relative pitch identification is the best that it has ever been. I understand parts much better as well.


That's all for now.

1 comment:

Unknown said...

I have found out that the basic triad harmony needs the upper structures for color and substance.